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Sundance Institute programs support artists year-round, with more than .5 million in grants and 25 global residency Labs across theatre, film, New Frontier and episodic content. / China (Director: Jiu-liang Wang) — Yi-Jie, an 11-year-old girl, works alongside her parents in a recycling facility while dreaming of attending school. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Robert Redford, President and Founder of Sundance Institute, said, "From the passion and chaos of creativity, independent filmmakers make decisions to harness that energy, break new ground and tell their stories. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Kun, the facility’s ambitious foreman, dreams of a better life. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean American brothers who own a struggling women's shoe store, have an unlikely friendship with 11-year-old Kamilla. Researchers found that up to seven per cent of the Italian population suffer from orthorexia nervosa; intriguingly, it was a misunderstanding of nutrition that seemed to be the most commonly found predisposing factor.This is a staggeringly high prevalence figure for a brand new disorder that did not appear in the academic medical journals until this year.Although it seems that she died, eventually, from being too thin, Dr Bratman believes Finn wasn't afraid of being fat, as in classical anorexia nervosa.The tendency of orthorexics to waste away persuades some eating-disorder specialists that this may not be a genuinely new disorder, merely a form of traditional anorexia nervosa – where young women compulsively lose weight because of a pathological fear of fatness.However, the underlying motivation is quite different.While an anorexic wants to lose weight, an orthorexic wants to feel pure, healthy and natural.
Among the many consequences is a severe and dangerous loss of weight, though, more often, an orthorexic's fussy demand for nothing but "perfect" food leads to social isolation, as the sufferer won't indulge in the everyday dishes that friends and colleagues eat.
It is possible that orthorexia is being fuelled by the health-food and alternative-medicine industry, whose advertising and "educational" messages stress the vital importance of getting the recommended daily allowance of vitamins and minerals.
This, combined with burgeoning government and official medical warnings about the epidemic of obesity, is perhaps producing an unhealthy hysteria over what we eat.
This year’s Festival reflects every step of that journey, and shows how art can engage, provoke and connect people all over the world." Keri Putnam, Executive Director of Sundance Institute, said, "It’s more crucial now than ever to have storytellers illuminating the world around us. (Director: Gillian Robespierre, Screenwriters: Elisabeth Holm, Gillian Robespierre) — Two sisters come of age in ’90s New York when they discover their dad’s affair—and it turns out he’s not the only cheater in the family. Through the eyes and hands of those who handle its refuse, comes an examination of global consumption and culture.
Artists help us better understand one another and recognize what we have in common. Everyone still smokes inside, no one has a cell phone and the Jacobs finally connect through lying, cheating and hibachi. / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture / United Kingdom, Canada (Director: Kyoko Miyake) — This exploration of Japan’s fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies. (Director: Sydney Freeland, Screenwriter: Shelby Farrell) — Two teenage sisters start robbing trains to make ends meet after their single mother's emotional meltdown in an electronics store lands her in jail.